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823.912 PR6019.O8 U4 1922 Preceded by Followed by Text at Ulysses is a novel. It was first serialised in parts in the American journal from March 1918 to December 1920 and then published in its entirety in Paris by on 2 February 1922, Joyce's 40th birthday. It is considered to be one of the most important works of modernist literature and has been called 'a demonstration and summation of the entire movement.' According to, 'Before Joyce, no writer of fiction had so foregrounded the process of thinking'. Ulysses chronicles the peripatetic appointments and encounters of in in the course of an ordinary day, 16 June 1904. Ulysses is the name of, the hero of 's epic poem the, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Leopold Bloom and Odysseus, and, and and, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland's relationship to Britain.
The novel is highly and also imitates the styles of different periods of English literature. Since its publication, the book has attracted controversy and scrutiny, ranging from an obscenity trial in the United States in 1921, to protracted textual 'Joyce Wars'. The novel's technique, careful structuring, and experimental prose—replete with,, and allusions—as well as its rich and broad humour, have led it to be regarded as one of the greatest literary works in history; Joyce fans worldwide now celebrate 16 June as. Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Background [ ] Joyce first encountered the figure of in 's, an adaptation of the for children, which seems to have established the Latin name in Joyce's mind. At school he wrote an essay on the character, entitled 'My Favourite Hero'. Joyce told that he considered Ulysses the only all-round character in literature.
He thought about calling his short-story collection (1914) by the name Ulysses in Dublin, but the idea grew from a story written in 1906 to a 'short book' in 1907, to the vast novel that he began in 1914. Locations [ ]. Ulysses Dublin map • 's home at 7 Eccles Street -,, and • Post office, -.
• Sweny’s pharmacy, Lombard Street, Lincoln Place (where Bloom bought soap). • the, Prince's Street, off of And - not far away - Graham Lemon's candy shop, 49 Lower O'Connell Street, it starts • - • - • Ormond Hotel - on the banks of the Liffey - • 's pub, • Maternity hospital, • 's brothel.
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• Cabman’s shelter,. - The action of the novel takes place from one side of to the other, opening in to the South of the city and closing on to the North. Structure [ ]. James Joyce's room in the It is 8 a.m., a boisterous medical student, calls (a young writer encountered as the principal subject of ) up to the roof of the where they both live.
There is tension between Stephen and Mulligan, stemming from a cruel remark Stephen has overheard Mulligan making about his recently deceased mother,, and from the fact that Mulligan has invited an English student,, to stay with them. The three men eat breakfast and walk to the shore, where Mulligan demands from Stephen the key to the tower and a loan.
Departing, Stephen declares that he will not return to the tower tonight, as Mulligan, the 'usurper', has taken it over. Episode 2, [ ] Stephen is teaching a history class on the victories of. After class, one student,, stays behind so that Stephen can show him how to do a set of arithmetic exercises. Stephen looks at the ugly face of Sargent and tries to imagine Sargent's mother's love for him.
Stephen then visits school headmaster, from whom he collects his pay and a letter to take to a newspaper office for printing. The two discuss Irish history and the role of Jews in the economy.
As Stephen leaves, Deasy said that Ireland has 'never persecuted the Jews' because the country 'never let them in'. This episode is the source of some of the novel's most famous lines, such as Dedalus's claim that 'history is a nightmare from which I am trying to awake' and that God is 'a shout in the street.'